Badkhn. In: Enzyklopädie jüdischer Geschichte und Kultur (Encyclopedia of Jewish History and Culture) Vol. 1, ed. Dan Diner. Stuttgart: Verlag J.B. Metzler, 2011: 230-32.
Articles
“What A Jew Means in This Time”: Naftule Brandwein, Dave Tarras and the Shifting Aesthetics in the Contemporary Klezmer Landscape
Wednesday, June 10th, 2009“What A Jew Means in This Time”:
Naftule Brandwein, Dave Tarras and the Shifting Aesthetics in the Contemporary Klezmer Landscape
In: Proceedings of the 2007 Conney Conference on Jewish Arts. Practicing Jews: Art, Identity, and Culture
Published online by the University of Wisconsin-Madison Libraries’ Office of Scholarly Communication and Publishing in collaboration with Wendt Library, 2009
“Like a string of pearls”: Brass instruments in Jewish instrumental klezmer music
Wednesday, June 10th, 2009“Like a string of pearls”: Brass instruments in Jewish instrumental klezmer music
In: Studies in Jazz 58: Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions, ed. Howard T. Weiner
(series editors Dan Morgenstern and Edward Berger, Institute of Jazz Studies, Rutgers – The State University of New Jersey)
Lanham, MD: Scarecrow Press 2009: 77-102 more...
“They danced it, we played it”: Adaptation and revitalization in post-1920s New York klezmer music
Tuesday, June 10th, 2008They Danced It, We Played It [pdf]
Joel E. Rubin
“They danced it, we played it”:
Adaptation and revitalization in post-1920s New York klezmer music
In: Studies in Jewish Civilization 19:
“I Will Sing and Make Music”: Jewish Music and Musicians Throughout the Ages
ed. Leonard J. Greenspoon, Ronald A. Simkins, and Jean Cahan
Omaha: Creighton University Press, 2008: 181-213
Distributed by University of Nebraska Press more...
Book review of American Klezmer: Its Roots and Offshoots
Sunday, June 10th, 2007
Heyser Bulgar (The Spirited Bulgar)
Saturday, June 10th, 2006Joel E. Rubin
Heyser Bulgar (The Spirited Bulgar):
Compositional process in Jewish-American dance music of the 1910s and 1920s
In: Jüdische Musik und ihre Musiker im 20. Jahrhundert
(Jewish Musicians and Its Musicians in the 20th Century)
ed. Wolfgang Birtel, Joseph Dorfman and Christoph-Hellmut Mahling
Schriften zur Musikwissenschaft
(Musicological Writings; Musicology Institute of the University of Mainz)
Mainz: ARE Musikverlag, 2006: 361-80 more...
Review essay “Music is the Pen of the Soul”
Friday, June 10th, 2005Music is the Pen of the Soul [pdf]
Joel E. Rubin
Review essay “Music is the Pen of the Soul”:
Recent Works on Hasidic and Jewish Instrumental Klezmer Music
AJS Review 29:1, Journal of the Association for Jewish Studies,
2005: 145-158
“Im Zentrum eines alten Rituals”: Die Klarinette in der Klezmer-Musik (“In the midst of an ancient ritual”: The Clarinet in Klezmer Music)
Thursday, June 10th, 2004
Book review Georg Winkler, Klezmer. Merkmale, Strukturen und Tendenzen eines musikkulturellen Phänomens
Thursday, June 10th, 2004Joel E. Rubin with Rita Ottens
Book review Georg Winkler, Klezmer. Merkmale, Strukturen und Tendenzen eines musikkulturellen Phänomens
Lied und populäre Kultur/Song and Popular Culture: Jahrbuch des Deutschen Volksliedarchivs
49 (2004): 285-321
Ambivalente Indentitäten: Die amerikanische Klezmer-Bewegung als Reaktion auf Krise and Trauma (Ambivalent Identities: The American Klezmer Movement as a Reaction to Crisis and Trauma)
Thursday, June 10th, 2004Joel Rubin
Ambivalente Indentitäten: Die amerikanische Klezmer-Bewegung als
Reaktion auf Krise and Trauma (Ambivalent Identities: The
American Klezmer Movement as a Reaction to Crisis and Trauma)
In: Berichte aus dem ICTM-Nationalkomitee Deutschland XIII: Traditionelle Musik und Mode(n) – Freie Berichte
(Proceedings of the ICTM German National Committee XIII: Traditional Music and Mode(s) – Reports)
ed. Marianne Bröcker
Bamberg: Universitätsbibliothek, 2004: 89-115 more...
Rumenishe shtiklekh (Romanian pieces)
Wednesday, June 10th, 1998Rumenishe shtiklekh (Romanian pieces):
Klezmer music among the Hasidim in contemporary Israel
Judaism (Issue 185, Volume 47, Winter 1998): 12-23
Can’t You Play Anything Jewish? Klezmer-Musik und jüdische Sozialisation im Nachkriegsamerika (Klezmer Music and Jewish Socialization in Post-War America)
Wednesday, June 10th, 1998Can’t You Play Anything Jewish? [pdf]
Joel Rubin
Can’t You Play Anything Jewish?
Klezmer-Musik und jüdische Sozialisation im Nachkriegsamerika
(Klezmer Music and Jewish Socialization in Post-War America)
in: Jüdische Literatur und Kultur in Großbritannien und Nordamerika nach 1945
(Jewish Literature and Culture in Great Britain and North America since 1945)
ed. Beate Neumeier
Wiesbaden, Germany: Harrassowitz Verlag (in German), 1998
No. 3 in the series “Jüdische Kultur, Studien zu Religion, Geistesgeschichte und Kultur”
(Jewish Culture. Studies on Religion, History of Ideas, and Culture)
ed. Karl E. Grözinger, pp. 189-219 more...
Klezmer-Forschung in Osteuropa: damals und heute (Klezmer Research in Eastern Europe: Then and Now)
Saturday, June 10th, 1995Klezmer-Forschung in Osteuropa
Joel Rubin and Rita Ottens
Klezmer-Forschung in Osteuropa: damals und heute (Klezmer Research in Eastern Europe: Then and Now)
In: Juden und Antisemitismus im östlichen Europa (Jews and Antisemitism in Eastern Europe)
ed. Mariana Hausleitner and Monika Katz
No. 5 in the series Multidisziplinäre Veröffentlichungen (Multidisciplinary Publications) of the East European Studies Institute, Free University, Berlin
Harrassowitz Verlag, 1995: 177-193
Alts nemt zikh fun der doyne (Everything comes from the doina)
Friday, June 10th, 1994Alts nemt zikh fun der doyne [pdf]
Joel Rubin
Alts nemt zikh fun der doyne (Everything comes from the doina).
The Romanian-Jewish Doina: A Closer Stylistic Examination
In: Proceedings of the First International Conference on Jewish Music
ed. Steve Stanton
City University, London, April 1994.
London: City University, 1997: 133-164.
